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ANGEL in the ocean of PLOEMEUR 26/02/20011 by Philou and Rockin-jl

An Angel at the heart of winter in Lorient.

For starters, it's a concert in the festival "The Deiziou" (Breton cultural days), devoted to Celtic and Breton. What relationship with ANGEL will you ask? We are also looking .... except that Christian Decamps participates Anne De Bretagne, the Celtic rock opera of Alan Simon and ANGEL also defends a certain identity culture through his songs firmly rooted in the soil of our old France.

The question that arose for ANGEL arises even for the first part, Kina Temple, a group of Lorient, if there are indeed those of regional, their music closer to the Detroit MC5 that Bagad of Lann Bihoué ... They play a heavy garage-rock-punkisant, energy certainly, but that does not truly captivate the fans of ANGEL a little confused by an avalanche of decibels sometimes not very well controlled. The first part unsuited to our opinion even if the intention of promoting a local group is commendable.

Come in, good people ....

It is the room filled up, 5 to 600 people, bringing together several generations, remember that ANGEL has over 40 years of existence at the counter and a big twenty studio albums, Moreover, the tour is called "The 40th Wailing". Many connoisseurs, it does not see ANGEL by chance, we remark here and there, the presence of many "soaked" the fan club members "One Foot In The Line" after the group faithfully and passionately for many years.

But hush, the lights go out, to show up .....

Let me tell you, Sir, that among these people there ....

Christian Decamps, 65 Spring this summer, arrives on stage dressed all in black, adorned with a pacifier around his neck and sings a cappella early "These people " the great Jacques, soon joined by the musicians. We are immediately impressed by the charisma of the man, bearded, rotund, hallucinating. Installed behind the mixing desk, the sound is very good, powerful and clear, we are amazed at seeing the final Dante resumed Brel, burning with a huge solo guitarist with dread locks Hassan Haji.

It had to all the excesses of a Christian Decamps to address Brel, frankly if Florent Pagny who massacred the Belgian poet saw some time ago that, return it post-haste in Patagonia care of his cows ... Second

title "The cemetery of Harlequin" , from the album of the same name released in 1973, a long room where the play's theatrical scene Christian Decamps gives its full extent, yet Once the sound is huge, powerful sound and visual surprises us, those whose first gig is the Angel does not necessarily think that this "deposit" as live.

Tristan Décamps

NB- photos illustrating this page were taken during the concert by "The bracket", with our thanks.


group chained with "The eyes of a madman" ( 1984 album Madman) is sung by the son, Tristan, with Christian who took the keyboards, a strong headline which takes us to the brink of lunacy, boosted by strong rhythmic blown through Benoit Cazzulini and Thierry Sidhoum sharp and interventions the "Guitar Hero" Hadji Hassan . If the son has not (yet) the presence of the father, he has significantly moderated its cons tend to firefighter and gets away with the honors anyway!

" L e dream is to dream" , album The car Water (1999) , this powerful little-known title, becomes a real workhorse on scene, a plea for utopia powered by a quasi-heavy music with a bonus, a dual bass / guitar to give you chills.

Hassan "Magic" Hadji during "soundcheck".

to look like this extreme cohesion that comes from five musicians standing in awe as the band goes back in time with "The Merchant of planets" from the album "Emile Jacotey" (1975) , hovering piece that justifies the term "progressive" is attributed to the music of ANGEL, here in an Arabized version with bassist Thierry Sidhoum vocals, a superb track, captivating and moving.

We stay in the company of old farrier with a classic group, the essential "On the Trail of the fairies" and there is the poetic ANGEL takes us land of fairy tales, dreams and legends.

s Can not "escape this atmosphere with the medieval " Ballad for an orgy ' ( Beyond delirium, 1974 ), while acoustic, xylophone support where Christian Decamps develops its enormous vocal range and very emotional and becomes a minstrel escaped from the corridors of time ...

It happens (already) in the middle of the set piece for a solo Tristan Decamps where only the vocals and keyboards interpreter "Nine o'clock" a sublime piece escaped Station Troyes (1983) . On a poignant text, Tristan also shows us that he has a sacred chest and passed through the room a palpable excitement.

Then comes "Crazy" and lyrics ... mad crazy, he is undoubtedly Christian, but certainly great ... a real character, full respect for this artist who has remained true to his world, outside the norms and fashions.

Mad? completely ...

Indeed, after the son in the family Décamps is the father, Christian, who, alone with his accordion we capsized and offers the public, the subtle and dilapidated "Crazy" , drawn from the eponymous album released in 1984. A small grain madness invades listeners who return the chorus. After this

p'tite bondiou break, it's time "Bivouac " at Harlequin Cemetery, huge hard on that end, the shredder Nancy Hadji Hassan, the balance still sauce and sends unabated, riff-heavy rock and frenzied solos.

pressure did not fall with time Colors angry " the album "Tears the Dalai Lama" (1992) , still a big final and a great solo guitarist what he there with him, technique and feeling are still there!

Then came the presentation of musicians, each said a few cool words, we'll also present:

- Christian Decamps : vocals, keyboards, acoustic guitar, accordion, harmonica , magic and poetry ....

- Tristan Decamps : keyboards, vocals.

- Hassan Haji guitars.

- Thierry Sidhoum : bass, vocals.

- Benoit Cazzulini : drums.

After the presentations, "Children of Chance" , another excerpt from Tears of the Dalai Lama , it sends a serious and a riff that reminds us ... Kashmir Led Zeppelin .

captain heart honey

"Captain heart honey" of The Getaway (1978) or bravura live group: twenty minutes of madness, Captain Décamps staggers on deck and put their heart's content with his cap his cane and his bell bottle of white rum. Both sea wolf, hobo heaven, poet and troubadour, he relentlessly pushed the emotion to a crescendo where the monstrous final apocalyptic chorus of dripping feeling matey Hassan leads the crew to the shores of lyricism tinged progressive and traditional plans more "hard" on Jimmy Page .

P'tain Moreover, it is already finished, it has not seen two hours!

No need to dwell much to see some rab ', the group returns for three reasons. ....

"The eyes and ears" 's latest album, The wood works well Sunday, followed by the inevitable "Hymn to Life" , became a cult song ( For the son of Chuck, 1976 ) dedicated to all those who participated in the adventure ANGEL during these 40 years, while that scrolls across the screen portraits of former members of the group. The concert ended with "Ode to Emile" a group of hymns, taken from their masterpiece Emile Jacotey , on which the public sang the last verse:

"When the machine stopped revolving,

What time of the hour bell approach

We sing a little wine,

We drank a final chorus.

And quiet

can wipe your ass from

the firmament. "

ANGEL is timeless and eternal, besides the Angels they are not immortal ...?

One word in conclusion: Thank you gentlemen!

left to d. Benoit Cazzulini Hassan Haji, Christian Decamps, Thierry Sidhoum Tristan Decamps.

(All, but then really all about Angel on the site of a foot in the margin: UPDLM )

Piano Notes For Sweet Dreams

BEYOND (2011) Clint Eastwood, Luc B.

Clint Eastwood was not expected on such a subject. And he, that he waited?

director Frankie leads McLaren

is the story of Mary Lelay , journalist policy of France 2, who sees his life and career shattered by the Asian tsunami of 2004. She survives, not without having had a glimpse of the beyond (the white light down the hall, second door on the left). Then, in London, the young Marcus , inconsolable after the death of his twin brother, his runaway foster families and strives to make contact with him, by media inserted. And finally, George Lonegan, American medium success, trying to forget this gift, which for him is a curse and became stevedore in the port of San Francisco (as Eastwood himself Similarly, and his father before him).

course, these three stories are linked, but their treatment at the screen is not homogeneous. One that holds our attention is that of George Lonegan, in other words, the U.S. side of the film. Primarily because Matt Damon puts his talent to his character. And because the humanistic and benevolent eye of Eastwood makes us the most endearing character. Lonegan could earn big money through his gifts (which would suit well his brother) but his life is unbearable, constantly filled with mink deaths, injuries others, fear, emotional deprivation, when it hits the hands of others. He lives in a small two-room, threatened by a redundancy plan, and took refuge in reading Dickens and in the course of Italian cuisine. And there, Eastwood managed a magical scene. In these courses, George meets Melanie, whom he must try to blind products. It is at once funny, tender, deliciously erotic, dramatic but also when touched the hand of Melanie, visions arise. What kind of relationship these two be able to build when one knows all of the other?

What does Mary Lelay, traumatized by the tsunami back in Paris? She plunges into the broth!

Mary's story is more uplifting Lelay . Cecile de France is not in question (why have it decked out with a headdress made of Yorkshire disheveled??) But their profile is not really the road. It seems more out of a local branch of France 3 Rosporden, and sentimental story with the director feels warm. In short, it is not very interesting. But we owe it all to a lecture on the editorial policy of François Mitterrand route, enjoy a good third film in French (did you recognized Marthe Keller?) And for once without Paris junk. And on the London party, one might object Eastwood in fact probably too much with the young Marcus, wearing a junkie mom (did he really need that and more?). I remember a beautiful portrait of boy in A PERFECT WORLD (1993), but there Eastwood proles in English seems less at ease than Ken Loach. There are still beautiful scenery (the underground visits mediums charlatans).

Course Forrest!

In BEYOND , which seems stuck, it's more the script, because frankly, the work of staging, there is not much to say. Eastwood knows his job, always the right plan, the master of rhythm, and the sign of greatness: do not miss two or three key scene from the film. Starting with the first, that the tsunami. Eastwood gives a lesson point of view. It follows Mary is the purpose of the scene. She is the heroine, not the big wave that destroys everything, and that could have been filmed in 15 different angles, above, from below, with many a nameless victims, lost dogs, screaming babies as in disaster movies . No bidding for 2012, like Mount Everest under the waves! No, this scene is very impressive because it is short, and just. The conclusion of the film is fast, does not get bogged down in sentimental effects. And then there's this little part thriller, with these characters who investigate, seek, or running past nod to a past career as a director of thriller, western.

Bryce Dallas Howard (Melanie) and Matt Damon

The film follows frankly with pleasure, but out of the room, we said to tell us what? To come where? It's not too gnan-gnan, this is not the New Age psycho with two bullets, no religious proselytizing (the idea of the beyond Judeo-Christian is quickly evacuated to a setback hand), not esoteric fair, the charlatans of all stripes have their beaks nailed three scenes! The gift of George Lonegan is itself explained in a very rationalist is more of a chewing gum that sticks to the sole of which he would like to get rid to live normally. No preaching, no thesis smoker. So what? There is a track start in an exchange between Mary Lelay and her publisher, who accuses him the subject of his book: "the underworld? but write it in English, do the editing in the USA! We do not want the real investigation! To which she replied: "I speak of inquiry, experimentation scientific Nobel prizes than the religious lobbies want to silence! . Eastwood is angry with the robes, we know. But it all? So what about the big secret? Where the director wanted it coming from, if not raise the dead, one of those recurring themes in recent years, even under a different angle?

BEYOND is obviously not the best Eastwood, but that does not make a bad movie either. Anyway, one way Eastwood is always better than the best Ron Howard, Robert Zemeckis and Joel Schumacher ... (And wham! It fell on them, we could cite more than 10 times!). It is a pure melodrama, the kind so dear director, always sensitive and specific in the intimate scenes. We missed a great metaphysical melodrama investigation atheist (a new genre).

BEYOND / Hereafter (2010)

Produced and directed by Clint Eastwood (Malpaso Company) + Kathleen Kennedy / Steven Spleilberg.

Screenplay: Peter Morgan.
Music: Clint Eastwood

Starring: Matt Damon, Cecile de France, Frankie McLaren, Bryce Dallas Howard, Thierry Neuvic, Derek Jacobi, Martha Khella ...

Color - 2:08 - 2:35 scope format

Pilonidal Cyst Diagram

JON OLIVA'S PAIN - "Global Warning" (2008) by Vincent Chameleon

Large deviations.

3 albums in 4 years! Jon Oliva loses decidedly time step.

If the first album, 'Tage Mahal (2004), had known in his own way, revive the flame of fire Savatage , Maniacal Renderings (2006) had strengthened credit, and all the good that we could then think of this new formation, aiming for more variation from one song to another and arrangements and orchestrations more developed too.

noted that Global Warning is also much better produced than its predecessor.

Listening to the latter, I must admit that any time for the first time, some songs sound by too obvious influences. Because from the very orchestral "Global Warning ", as such, instrumental in the 3 / 4, speaks bluntly Deep Purple by its Hammond organ sounds worthy of John Lord . Perhaps less obvious, excellent "Look At The World" reminds us still side with Queen (chorus). I find this quite amazing piece of his hand side tavern and its small aspect Jazzy. A success anyway. Oliva then moves up a gear on the two tracks below. Sometimes screamed, his voice really does not carry my membership, because too close to the idea that I can make Trash Metal style (not really my thing really). Finally, where I think the singer comes into its own, it is in the broader context surrounding and full of nuance, from the genus tortured crescendo, which "Firefly" is the most perfect illustration. Emotion on the warranty.
On 3 or 4 pieces, Jon Oliva not forgotten to take his fan base by offering up to cons and alternatives more daring things, like the highly successful "Master" . Filtered voices and rhythmic military as a Ramstein, Jon here is the voice of the villain Computer devourer of neurons (ours of course).

"Jon Oliva Metaaal IS!"

But Global Warning (...) also includes other things like this "Ode To G" (in memory of the album producer, died suddenly) every time we would prefer to appear as a bonus at the end of album.

The shadow of the airship fleet also visit the excellent "The Ride", and more on the last part of a "Someone" which will take you to the guts. The rhythm guitar is for once extremely similar to "Kashmir" . Detailing each title in the book, Jon do not hide it elsewhere. Shadow of Savatage necessarily also flat on the disk. The ogre's continuing investigative work by restoring a few riffs forgotten again (and found) his brother Chris , also disappeared that there are several years (see my album review 'Tage Mahal : http://ledeblocnot.blogspot.com/2011/01/jon-olivas-pain-tage-mahal-2004-par.html ).

The album is closed by the intimate and beautiful "Souls" , knowing that the beautiful digipack edition also offers a bonus, bringing us back again to the memory of Savatage . C e title had been developed from the time the album Power Of The Night. From Savatage the old kind.

Know to finish the Japanese press will see increased (as always!) A as an additional title, "I See" .

Fate of the body Matt Laporte ! At least that will not be John Zahner . "

The problem with this type of album is that too much mix genres, I'm not sure Jon Oliva succeed in finding and / or increase its audience. attested to the interest (oh so important!) on most commercial sites. cares But does this mean? Because just like me, singer should probably be royally f ** it. The proof Festival , published in 2010, is now his fourth album. Yépiiii!

clip in. ur two pieces : "Someone" or merging Led Zeppelin with that of Pink Floyd . Sublime!

"Souls" : A voice, an acoustic guitar, cello: It sometimes takes so little ...

Best Mid-range Woofer

"Dictionary Lovers Rock" - Antoine de Caunes (2010) by Bruno

Diving in the memories and passion Rock'n'Roll

The younger Mr. Antoine de Caunes known for his performances of actors, and as a director. Other, slightly less young people, with drop and its shiningly, skits elsewhere. But few know that he began his career as a staunch supporter and advocate Wock'n'Woll.

therefore recall that he had fought tooth and nail, against all odds, against the right-thinking "Programming TV channels, not only to establish a weekly program on the Rock in all its forms, but again, (the lack of air gus!), to make a show "Live". Either refute any form of playback, the era of Guy Lux and Drucker reigned supreme over Middle Earth, he organized with his concerts in the community room of the Empire ( then shared with the " 'School of fans Jacques Martin ) for broadcast as shown on television. And breads, broken voice, interpretations were equally distributed approximate the magic moments inherent to the scene. A challenge that De Caunes won the high-hand despite the limited resources given to him by Antenne 2, instead of "roadblocks". The issue, of course, called Chorus. Well before the radios, which do not remain long in fact, Chorus had the advantage of broadcast (in 1978 then), on an equal footing, musicians then more or less known in France (The Cure, Pretenders, Stray Cats, Joe Jackson, The Beat, DeVille, Rose Tattoo), as well as international stars (James Brown, Nugent, ZZ-Top). This is the first that Bruce Springteen present in France at the time of the album "The River" (he has contributed significantly to its recognition in the hexagon).

Later, he created the best period of the "Enfants du Rock", with a Houba Houba-developed, provided relevant, with documentary, interview, clip, and concert. His withdrawal marks the genesis of the rapid decay of the show, culminating with a special Julien Clerc (sic!).

Not totally discouraged, he repeated the adventure with Rock TV Rapido. However, as its name suggested, the issue was very short, Antoine making every effort to provide maximum information in minimum time twenty minutes, thanks to a frantic flow of words.

He joined the radio for a broadcast in which he discovered, through a journey of several American cities, the different songs that were played. The show was winning.

Finally, Antoine registry changes and addresses the burlesque, integrating Canal + with the show "Nowhere." There, his talent exploded, helped Laurent Chalumeau texts and Albert Algoud. His collaboration with a young unknown, Jose Garcia, will be the zenith of the show, and a classic entertainment, still unmatched in the chain.

He followed a career as an actor. Again, (but where will-on?), It is more than a good impression, earning the respect of audiences and peers. "The man is a woman like any other" (excellent) earned him a nomination, well deserved, for Caesars.

Today, Antoine de Caunes has been in the range of the writer. Thing not new since it has already written two novels, and a book on Magma (in 78). In the "Dictionary of Lovers Rock", (re) discovers a person basically cultivated. Various references coming from all directions, and one wonders if there's one thing to know Caunes. Except perhaps quantum physics, or inertial confinement fusion, but in fact the subject does not lend it. Obviously, this is a passionate words of French. How could it be otherwise when handled with such dexterity, and malice, the language of Molière.

With this book, Antony lists anecdotes about personal experiences with various musicians that was given to cross, usually for its various programs, or some childhood memories related to his love of music. But also, the "kick-heart", passions for the artists he likes, respects. Thus, through a concert, memorable or not a disc, a career he chronicles admiration. Or disappointment. To this end, he did not hesitate sometimes to scratch the man, where the relationship of the latter is terrible, or that may be contentious, however, without denigrating his music.

The book, 719 pages numbered 677 of which reads (omitting the TOC ), 13x20x3, 5, 802 grams , presents one hundred and nine chapters. All, of course, related to Rock, broad, very broad, no barriers, boundaries even less partisan, but still some subjectivity, in all human logic. 109 chapters in alphabetical order, devoted to artists, groups as diverse as Bashung, Angus Young, Bowie, JJ Cale, Nina Hagen, Dr. Feelgood, John Hiatt, Isaak, Kinks, liitle Richard, Iggy, Prince, Ramones, Stones, Who, SRV, Zappa, Johnny Winter, The Stranglers, The Pogues, McCartney, Manassas, Mayer, Clash, Midnight Oil, etc. ...

To do this, carefully avoiding the bombastic or redundant, Anthony plays with words, breathing rhythm, fluidity, all often with humor fresh, never rude, which gives this book a pleasure to read. Thus, this reading should satisfy both the nostalgic of the Canal that the amateur lambda Rock, even the simple curious lover of fine words and well-turned phrases. Sometimes truculent, very rarely caustic, these chapters give a real pleasure to read good. At the point that you go back even on matters that were, at first obscured, because the theme seemed hardly exciting, as one is struck by the prose and text. A delight. Moreover, it is not no secret to say that De Caunes captivate an audience with topics as soporific as the reproduction of beetles or "what dreams dwarf squirrel Azerbaijan .

A real pleasure to read, we take the trouble to eat without music, taking care to isolate themselves, to enjoy.

A dictionary? No. Just an excuse to communicate, share a passion (love) this music is rich and multifaceted. Hopefully a second volume.

And then, well, let Antony speak for himself: