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NIKKI YANOFSKY-"Nikki" (2010) by Rockin-jl

Jazz has this delightful it generates for new talents, especially in the area close to my heart: the singers. Ella and Sarah can rest in peace, the succession is assured. Little wonder that will be discussed today is a Quebec-17 spring, once after N'Didi which has already been the subject of a column here or Kellylee Evans (album "Nina " tribute to Nina Simone , with a nice back of " Do not Let Me Be Misunderstood") . Like what our friends drinking maple syrup to the variétoche Dion Garou not phagocytosed any music scene, and there seems to be a place, especially on the plateaus TVs for anything other than the soup as is the case with us (If a Canadian reader could make his testimony that he did not hesitate).

But back on topic with Nikki Yanofsky who despite his young age is not the future of jazz but his present, for if we can find that it is perfectible (fortunately ), it gives off a virtuoso a singing technique, a sense of rhythm and a joy to sing obvious and contagious. Divine gift, perhaps, but also years of work behind. As soon as she began to speak Nikki sang Aretha discovered the Beatles or Stevie Wonder to 5 years, then the clash with Ella Fitzgerald who finally showed him his way. At 12 she made her first stage for charity concerts and Montreal Jazz Festival passes, youngest artist to be produced there.
In 2007, she was signed by Verve, again the youngest to drive collective tribute to Ella "We All Love Ella "where she worked alongside Etta James, Diana Krall and Stevie Wonder.
She has since played in Montreux, Carnegie Hall and shared the stage with Herbie Hancock monsters like or Quincy Jones , sung Olympics opening ceremony yesterday (Montreal 2010), brief 16 years already experienced many rewarding experiences.

I also recommend this DVD if you have a player multizone because it is only available in zone1

This disc produced by the legendary Phil Ramone (Ray, Dylan, Aretha, Elton, BB King ..) and written by Nikki Jesse Harris (Norah Jones) and songwriter Ron Sexsmith gives pride to the standards of jazz, Songs that chose Nikki because she enjoys the singing "Take The A-Train " "I Got Rhythm " "God Bless The Child " (Billie Holliday of , another influences), "You'll Have To Swing It Mr Paganini " (a classic repertoire of Ella played fantastically here, my favorite track on the album), and original compositions ( "Never Make It On Me " "For Another Day ", "Cool My Heels" "Grey Skies ") most likely pop, who are poor without being more dispensable to me (who likes well chastises well). Also note "On The Sunny Side on the Street / Fool on the rain " (from. .. Led Zep, the Miss Hendrix also includes concert) "First Lady " a touching tribute to Ella, and "Try Try Try " piece donated by Canadian singer Feist , a piece in the genre Sheryl Crow, and it ends with "Over The Rainbow " (The Wizard of oz) in a beautiful version even if it's really in passages Nikki swing that excites me, especially when she takes passage scat like "I Got Rhythm " you can see from the video below below where it attacks the "Airmail Special " Ella.

In this world of crazy, this girl is a breath of optimism and good humor, joy and hope, as she says herself in jazzy ballad "Welcome to my life": " Welcome to my life, all is bright here "Nikki it lasts, that's all we can wish you.
My advice: learn there now, in 10 years it will be "huge", well, figuratively I mean ..

What To Say When Someone Is Stressed Out

PETER FRAMPTON - "Comes Alive" (1976) by Philou



Show Me The Wah-Wah ...

Summer 76, the heat wave descends on the hexagon and France is thirsty. This does not even quite young and dashing Philou to drag his sneakers Palladium in real stars, record stores in non air-conditioned, always in search of vinyl puck was still spring (record companies) at the time.
In those remote times, the pockets of the poor bugger did not contain one or two pieces of 1 franc, just enough to buy a pack of Bonbec. It was damn save to finally be able to buy a disc, this beautiful object which kindled all his desires and which had its heyday in the late nineteenth century.
Attracted by the beautiful cardboard covers from artists, limited editions, the screen-printed packaging and other "Picture Discs " , Philou the guy had heard on the radio who spent more rock at the time, some Peter Frampton who was talking up his guitar and Philou which was not yet the veteran that we know, wondered how much there was this guy there to cause his guitar??
That year, a connoisseur, he had bought the "Agents Of Fortune" of Blue Öyster Cult the "Rocks" of Aerosmith the "Desire" of Bob Dylan and "Live Bullet" of Bob Seger , that's heavy, the cream of U.S. rock. In these days blessed by the gods of the riff and drum solo, only the good bands ruled the planet music.

The famous Peter Frampton and "Comes Alive" had tumbled in stores since January, but by dint of Philou deprivation had amassed a small nest egg (84 francs and 75 centimes) and finally managed to acquire the famous cake Saturday, July 3 at 3:27 p.m., while at the same time in Paris, 40% of the RATP bus refused to leave deposits in protest against a peak of 59 ° in the vehicle. It also disengaging the Samaritan and the Liberation newspaper headline in the News: "Work makes you sweat!"

Peter Frampton, Philou had heard of him and read articles in "Best", this guy despite his young age (26 years) had already recorded 4 solo albums and played with the group Steve Marriott , Humble Pie.
"Not a charlot ! "Philou said gently and asking frantically, the disk on its turntable Akai APA1 belt. From the beginning of the concert with " Something's Happening " , Philou attacking full leaves (detached) and was completely electrified by the game's blond guitarist youthful face ... "Damn it's too good" Philou screaming in his room, mimicking a more than convincing gestures Peter Frampton without the famous Gibson Les Paul black hands.
Experts are still formal, it is Philou who invented the "Air Guitar".
Listening to the next song "Show Me The Way" , Philou very insightful, thought that with this as there Peter will certainly pick up a bunch of dollars.

The diamond tip traverses the LP scrolls and album, the sound is remarkably clear and precise. The guy turns, all bursting with vibrant emotion, not weaken, the delicate acoustic "Wind Of Change" , the ballad filled with emotion "Baby, I Love Your Way" through the electrifying and spellbinding "Lines On My Face " , and essential to the mythical "Do You Feel Like We Do" , an incredible parade of rock about 14 minutes where precisely the evil Peter made his guitar speak ......

Bob Mayo On The Keyboards ... Bob Mayo. ..!!!! ad Peter Frampton the wild crowd of Winterland in San Francisco.

............ WE LIKE DOO yoou FEEEL dooo ...........

"Damn, it's true he made his guitar talk!" s "Philou exclaims," How is that done?? Quickly, he called Louis Jean, his friend who is in class with him in 5 th transition, it picks up anything in progress, but Zique he touches his ball.
Jean Louis is actually the future and illustrates Rockin JL, distant cousin of Rory Gallagher by his Celtic roots and future collaborator in the Philou Deblocnot '.
In fact, Louis Jean explains that Peter Frampton uses a talk box , connected between head and the enclosure of the amp, it diverts the signal to a mini HP located in a box (Box ) which share a tube that is placed in his mouth, just check the Indeed, opening the mouth more or less (Talk ) and voila!

"Damn, it's hard my friend Jean Louis !!!... and this disc is a real massacre, faith Philou!

True, this album is a fixture in the series "Live Album" , Frampton and excellent musicians, John Siomos (drums), Stanley Sheldon (Bass) and the late Bob Mayo (everything else) all play in a more than perfect osmosis. In addition, the public version of the songs are much more striking on this album, blasted by an urge to gamble, sincere and without artifice Peter and his group.
This album will spend 10 weeks in the first place the U.S. charts and remains one of the best selling live albums in the U.S. even today (the 4th). The album will be voted "Best Album of the Year 1976" by the famous magazine "Rolling Stone ".
After chained ago, concert gigs, without much success, the career of Peter Frampton take off like wildfire with the release of this double album. He was the first surprise of this success unexpected and phenomenal . The result will be less favorable to the guitarist who will never repeat this feat, quite the opposite and it is not the arrival of punk and New Wave, which will arrange his affairs.

It will however continue to out regularly albums and can be seen as a guitarist with David Bowie and even participate in 1986, album "Rock'n Roll Attitude of Johnny Hallyday as session man!






"If There Was a musician who's ever year honorary member of San Francisco Society, Mr Peter Frampton "...... or the introduction of the legendary Bill Graham, promoter of the concert June 14, 1975, who died tragically in 1991 in a helicopter crash while returning from a concert by Huey Lewis & The News.

Gloryhole North San Diego

THE BLACK KILLER OF HELL, by Claude and hazing of Toon!

As you know, Claude Toon joined the team DEBLOCNOT 'to hone our musical culture. Already some see the Blues or Rock, as the "old music", so imagine the remarks must endure when Claude puts on his platinum records written by gus emperruqués, powdered and in pantyhose ... (One sympathizes Claude ...). To join the team déblocnoteurs, Claude was gently folded à un examen de passage. Le sujet était : un feuillet sur le disque (fictif) "Dark blood in my eyes" par les non moins fictifs THE BLACK KILLERS OF HELL. Et vous savez quoi ? Deux jours plus tard il rendait sa copie !  Nous n'avons pas résisté à l'envie de vous faire partager ce grand moment de... de... n'importe quoi ! La parole est à Claude :

                                                                                                                                                     

KILLERS OF THE BLACK HELL from left to right:
JC, Kevin, John Edward, Robert, Johnny and Fifi.

Dark Blood In My Eyes "by The Black killers of hell ...



Cool!

For my hazing, I found the video of" Dark Blood In My Eyes " by The black killers of hell ...

I click. Oh thin, there is an ad before a movie as "The Descent". Hurry up and drown you nazes band that I bump my topic ... Oh, it starts. heuuuu, who is the big dog in the air and smashed malicious? Scared! I flip to death as Renaud sings! It scared me the mastiff. I almost throw my four hours on the keyboard. Stomach acid that eats the keyboard and which corrodes the upper abdomen, I'm good for an ulcer. I have all the rough language (Wouaf Wouaf, it is not me who makes a rotten pun, the dog barking). Hey, it's fun, the Musical Producer called Mozart Jones! It's crazy ... a parent ? Be careful with sensitive people! And if I had a child leaning over my frail shoulders? And at my age, a terrifying image, and it is good for "infractus" or AVC (Association Voluntarily Conne). I continue. MUSIC:

Boom bam boom! Boom boom bam! Boom boom bam! Boom boom bam! Return to beginning of line. This is not a runaway, or I did not hear the response and cons about it. For we shall see stretto at the end.

He repeats what level text? Looks like the English double the rumblings of mutt. A big Black strangling, slaughtered, or both, guys. I frowned: return. Oh OK: a gam with blood in a trash bag. I begin to understand the theme: a guy from a poor neighborhood looking for his dinner. Inevitably, they eat too much fat and the strong men like him, the gam appear leaner than his biceps. Although, I heard the word Fuck, I'm probably off topic.

My English is very limited, I can follow the pictures (sniffing): a wheel of Toyota (Sponsor?), A guy who Crame. The Big Black has other Pekin with a knife, then a hammer, a real tool box on legs. Oh, there are flashes of vaguely satanic distinguished in this universe. It may (The Big Black) to be tolerated by a window with his laptop. Ah the resumes, the absolute recurrence, he cuts a human foot (arrow on the video stating "Human Foot" for those who do not). It's "blood" pure blood. Musically, it's probably inventive, but tell the lion that roars in the end clip is a live recording of a real lion who teams up with Big Black or synth? In addition, a sound of broken glass to enter the lion broke his glasses, but in December '. Reminds me of "Street Trash"-style musical, like "the melody of yucky."

My mom is 88 years old told me she liked rap, I'll see if I find the CD. I have not found it on Amazon! Thin. In fact it is listening on a PC that breaks the spell. Should I listen on my channel "upscale" restore the sweetness of the voice, the soft accompaniment, the harmonic richness. Difficult for the uninitiated to tell if the musicos in polyrhythmic or provide monorythmique.

Good to relax I will listen to "Twinkle Twinkle Little Star" by Mozart, Na! For Vincent, clip hyper Hard.

Note: I live 500 meters from the Saint-Anne hospital in Paris. Is helpful.

Claude photographed at St Anne, recovering after listening to a second disc of Black Metal.

Commercial Lease Commision?

MATT BAUDER "DAY IN PICTURES" (2010) by JOHNNY GUITAR Freddiejazz

Matt Bauder on tenor sax

long time now, the referee had whistled the end of regulation time, and no person 'could have said where were the extensions ... These same words, these same formulas, to borrow a phrase from Alain Fleischer, I now come to mind to describe this disc also carefully regulated, organized and programmed: DAY IN PICTURES Matt Bauder , released in 2010 on Clean Feed label is a disc that builds on a traditional jazz, clearly identifiable in terms melodic and rhythmic. Extension or extensions, each chooses his formula. Moreover, during his program "Open Jazz" (as yours truly does not fail to listen when he has time - it's every day on France Musique, from 19h), Alex Dutilh him even pronounce the word "extension", while we did discover two or three themes of this cake. And indeed, our tenor sax came from the depths of Texas, this young man barely old thirty years, extends here the idiom of jazz very classic, one that refers to what was in the 50s and 60s. Not that this is a project that pays into parody or pastiche, although in the liner notes there Bauder cites Jimmy Heath as one of his earliest influences. No. Only the disc fits into an extension of what was Stan Getz, Ben Webster , Coleman Hawkins and to some extent, Miles Davis (sometimes we remember the first great quintet of the sorcerer black, with John Coltrane and Bill Evans). The success of the album is no doubt (the compositions are beautiful, varied, homogeneous), but we sometimes get the feeling that the musicians did not want to risk too much (you might say, in KIND OF BLUE, either). In the end, we have a pretty good fucking hard and very beautiful (the sound of the whole, far from any noise music is a clarity that is breathtaking). Composed of seven parts all as original as each other, Day In Picture does not, never falls into the demonstration, let alone pontificate. In 45 minutes, the important thing is said. Bauder declined to include standard, because the creation and inspiration are more important to him. That said, we can always find a few references here and there (for example, the intro to "reborn not gon ', track 4, referring to" Gone, Gone, Gone "by Gil Evans with Miles Davis, cf. Porgy and Bess). Other winks to jazz of the 50s is no shortage ...

Tomas Fujiwara (photo Claudio Casanova)

Finally, Matt Bauder with his thick black glasses (a beautiful picture shows a portrait inside the digipack), has still a big sound, who knows how to sweet and romantic walks (listen to the beautiful "Park After Dark") but also very "out" or "suspended" in pieces rather mid tempo (and the opening in "Cleopatra's Mood"). In this first theme, a rhythmic atmosphere, this way of treating the offender's phrasing is simply amazing. Suspense, and a few surprises, so .. And above all an artist who, despite his credentials, trying to imitate anyone or only plays what he has in him ... The trumpeter who officiated at his side, Nate Wooley , is in sobriety, the sound is chiseled, his trumpet and light. Not too bop, not too mainstream. Just in the service of music. Inhabited. As for the rhythm, it is also very simple, even classical architecture. But it is not a problem. Composed of Angelica Sanchez on piano (Tony Malaby's partner), Jason Ajemian of on bass and Tomas Fujiwara finally on drums, it even includes a sincerity and freshness of integrity, which affects outset the listener. The voicings of Sanchez are beautiful. No notes nor superfluous puffery, as one can find Today in disks resolutely turned towards the postbop. In short, if this disc is nothing revolutionary (in form and in substance, any acoustic quintet, contemporary jazz, vaguely reminiscent of what was in the 50s) is still a high level technique. The musicians were in their luggage as many melodies from elsewhere (the imagination is at full throttle) that controlled rage and energy bittersweet inhabited and inspired they are. The sounds captured sometimes extends to a certain nostalgia, but without sentimentality, it is rather in humility, poetry and contemplation. And when the instruments are mixed with harmonics and notes can be complex, at least in a swing melodies that innervate them is natural, we say that yes, this album is a success. Matt Bauder, remember this name. I do not think I am right in saying that this is a jazz artist to watch very closely ...

Matt Bauder trio, in a version of "Cleopatra's mood". We will recognize Tomas Fujiwara on drums (stealthily). In this session, bassist Jason Ajemian is not.

« DAY IN PICTURES » de Matt Bauder (2010, Clean Feed)
1. Cleopatra's Mood 7:14
2. Parks After Dark 11:17
3. January Melody 4:55
4. Reborn not Gone 6:22
5. Bill and Maza 13:14
6. Two Lucks 8:55
7. Willoughby 2:40